Watched Kane's video about the features of AE3 and instead of clunking up his thread, I thought I'd start a new one so it doesn't get lost.
For those that have not watched the video - AE3 does away with the PTZ tab with the grid of presets. Now those presets and the PTZ control for each cam are nested inside the multiview window for each PTZ. In switching a live show, you'd preset the cam, hit ' * ' which opens the cam's preset/ptz window, select the shot and take to air.
Wow. That's...um.... an interesting decision. When cutting cams in a live, multi-cam environment, speed and accuracy are everything.
Now there's an additional step added that requires the use of the keyboard, and it all takes place in a much smaller display. The option is to use a desktop or a laptop to log-in to the TC, where presets can be made and selected remotely.
All someone from NewTek needs to do is direct a show with a bunch of talking heads bouncing around, or something with fast, unpredictable action, to see how this decision is wildly out of line with the demands being placed on the TD using a Tricaster to control the cams. Using this new workflow would dramatically increase the time between takes as well as the margin of error on those takes. In live TV - missing a shot is harmful to one's career.
Outside of the native TC PTZ controls, adding yet another device to my already crowded console (the laptop or PC monitor/mouse) is not an option. Nor is taking my eyes away from the TC so I can click whatever shot I need. Things happen very quick - my eyes, or my TD's eyes - need to be on the show instead of on a laptop. "Keep your eyes on the road", you know?
I would encourage NewTek to re-evaluate this decision because it's the exact opposite of what a TD / director wants to deal with.
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