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EricPhilpott
05-28-2009, 11:25 AM
Toronto: May 26, 2009... Fusion, the award- winning compositing application from eyeon Software, played a key role in creating the visual effects for Twentieth Century Fox’s Dragonball: Evolution, directed by James Wong.

Winnipeg-based Frantic Films VFX contributed 334 visual effects shots to the film, with VFX supervisors Chad Wiebe and Mike Shand overseeing the work from the company’s Vancouver and Winnipeg facilities, respectively.

According to Wiebe, “Frantic has had a working relationship with eyeon Software for nearly 10 years. I've been here nearly that long and have used Fusion almost exclusively. Fusion works really well from a production standpoint. It enables artists to share tools and ideas among multiple offices. Tools from within a Fusion comp can be copied out in an XML format, and sent through email to quickly share ideas.”

Dragonball: Evolution is based on the popular Japanese comic book series created by Akira Toriyama, whose work spawned best-selling graphic novels, video games, and a phenomenally successful television series. The live-action adventure centers on a team of warriors, each of who possesses special abilities. Together, they protect Earth from a force bent on dominating the Universe and controlling the mystical objects from which the film takes its name.

Wiebe explained that one scene in particular – a battle scene around a lake of lava – became one of the biggest challenges. The characters – Goku and the Fulum Assassins – had to be able to interact fully with the environment.

“The lava lake sequence as a whole presented significant challenges for the Vancouver team, as it was an integration of a number of different visual effects with varying degrees of complexity,” said Wiebe. “Shots where we had creatures interacting with the lava lake proved to be especially challenging in terms of compositing.”

For the sequence, Frantic provided on-set VFX supervision in Durango, Mexico. Artists at Frantic’s Vancouver facility designed a digital environment, including mountainscapes and a molten lava lake complete with lava falls and crust, with rocks and debris swirling about.

“In addition to the degree of realism required, the shots also needed to maintain continuity with the practical elements, while holding up to a significant degree of color correction,” he continued. “The original practical lava lake set did not meet with studio approval, so in order to save the sequence from being cut, it underwent a significant transformation, from a physical plywood and sprayfoam set, built out in the Mexican desert, into a digital labyrinth of smoke and ash that was ultimately used in the theatrical release.”

“The reward for developing visual effects technology is seeing the spectacular results created by talented artists. This big screen magic drives visual effects companies, and consequently eyeon to create the necessary tools,” said Joanne Dicaire, Director of Sales and Marketing at eyeon Software. “We congratulate the team at Frantic for their outstanding work on Dragonball: Evolution.”

eyeon Fusion offers a full 2D and 3D compositing environment, including a 3D particle system, comprehensive integration with 3D animation packages, non-destructive floating-point color correction, paint tools, keying, roto-scoping, advanced look-up tables, character generation, and more. Fusion 6.0 is scheduled for release in early June 2009. For more information, visit www.eyeonline.com.

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Press Contact:
Eric Philpott
philpott | communications
(905) 773-6651
[email protected]


About eyeon Software
eyeon Software Inc. develops applications for the VFX and postproduction communities. eyeon products include Fusion™, an award-winning compositing application used on thousands of feature film and broadcast projects over the past 20 years; Rotation®, a rotoscoping system and Vision®, a suite of tools designed for broadcast. Recognizing the need for a comprehensive approach to postproduction workflows, eyeon Software introduced Generation® in 2008, providing an integrated facility-wide system for artist collaboration and visual shot management. Fusion artists have contributed significant work to recent box office successes such as Night At The Museum, G.I. Joe, X-Men Origins: Wolverine, Twilight, Tropic Thunder, Iron Man, Hellboy II, Journey To The Center Of The Earth 3D, 300, Spiderman 3, Harry Potter and the Order of the Phoenix, Happy Feet, Sin City, and many others. www.eyeonline.com

About Frantic Films VFX
Headquartered in Winnipeg, Canada, with offices in Vancouver and Los Angeles, Calif., Frantic Films VFX has been operating divisions that provide visual effects for film and television, and VFX software development since 1997. Frantic Films’ VFX award-winning visual effects teams have worked on films including G.I. Joe: The Rise of Cobra, Watchmen, Dragonball: Evolution, Red Cliff, W., Fantastic Four: The Rise of the Silver Surfer, Grindhouse, Superman Returns, X-Men 3, Poseidon, and many others. The company’s software tools were developed to solve complex production challenges on in-house feature effects projects, and are also in use at many leading 3D animation and effects facilities worldwide. For more information, visit http://www.franticfilms.com.

Digital Fusion, eyeon Fusion, eyeon Generation, eyeon Vision and eyeon Rotation are registered trademarks and/or trademarks of eyeon Software Inc. All trademarks, company names and products are the property of their respective holders. Copyright © 1988-2009 eyeon Software Inc. All rights reserved.