PROBLEM DESCRIPTION
What goes into a session? How does it help my workflow?
SOLUTION AND WORKAROUND
When working with TriCaster, you provide certain information about your production environment:
When you re-open a session, it’s just as if you were continuing the earlier event. Thus, if you return to the same venue another day under more or less similar conditions, simply re-open your prior session and you are virtually ready to go. (Of course, it’s the course of wisdom to test everything before actually beginning the event.) Naturally, you can create and store multiple sessions, and re-load your sessions to continue working with them. (see User Guide page 7 section 2.3.1 for this passage and more)
What goes into a session? How does it help my workflow?
SOLUTION AND WORKAROUND
When working with TriCaster, you provide certain information about your production environment:
- What broadcast standard is used in your locale? Is it PAL, common in Europe among other places, or perhaps NTSC, standard throughout North American regions?
- Are you using HD or SD cameras (or a mix of both)?
- How are your cameras connected?
- You might calibrate your cameras using the Proc Amps.
- For any greenscreen sources, you will adjust the LiveMatte settings for optimal keying.
- You will select output device connection types and settings.
- You might create playlists in Media Players.
- You could grab a series of still images from Program Output.
- And capture the network Stream output as a file.
When you re-open a session, it’s just as if you were continuing the earlier event. Thus, if you return to the same venue another day under more or less similar conditions, simply re-open your prior session and you are virtually ready to go. (Of course, it’s the course of wisdom to test everything before actually beginning the event.) Naturally, you can create and store multiple sessions, and re-load your sessions to continue working with them. (see User Guide page 7 section 2.3.1 for this passage and more)