LAD3D
03-14-2006, 02:20 PM
Hi, again I understand this is not yet a VT functionalty, but it will be soon I hope.
I have determined that Premeire Pro does not edit 'native' DVCPRO HD or HDV. It, in fact, uses an 'intermediary' format that the 3rd party Cineform plug in generates. In my assessment, this is superior and I think a good path to take. For an example, you might take print resolution photos with a digital camera, captured as JPEG files, but once you put them in the PC and build multi-layer designs out of them, you are then working in an uncompessed or lossless compressed Photoshop file. You wouldn't work on it, and then save a master copy as another JPEG! Similarly you capture DVCPRO HD or HDV, which are both compressed formats, and then go to video post with an intermediary/lossless compressed or uncompressed format to create your finished master video. With the master video you then squish out a DVD-Video or a multimedia which is obviously highly compressed. But the master video is as clean and close to uncompressed as you can get using the 'intermediary' approach!
So AVID Express Pro and Canopus say that they edit 'native' DVCPRO HD and HDV. This seems conveniant, but any effects/layers/crossfades become re-compressed. This is bad if image quality is first priority. Interesting how it seems superior to say, "Native DVCPRO HD and HDV editing!!!" But that is not really the best path to take. The 'intermediary' approach is superior. I know, I know; both have their issues. But for maximum image quality, I say the 'intermediary' approach is superior to the 'native' approach.
-qb
I have determined that Premeire Pro does not edit 'native' DVCPRO HD or HDV. It, in fact, uses an 'intermediary' format that the 3rd party Cineform plug in generates. In my assessment, this is superior and I think a good path to take. For an example, you might take print resolution photos with a digital camera, captured as JPEG files, but once you put them in the PC and build multi-layer designs out of them, you are then working in an uncompessed or lossless compressed Photoshop file. You wouldn't work on it, and then save a master copy as another JPEG! Similarly you capture DVCPRO HD or HDV, which are both compressed formats, and then go to video post with an intermediary/lossless compressed or uncompressed format to create your finished master video. With the master video you then squish out a DVD-Video or a multimedia which is obviously highly compressed. But the master video is as clean and close to uncompressed as you can get using the 'intermediary' approach!
So AVID Express Pro and Canopus say that they edit 'native' DVCPRO HD and HDV. This seems conveniant, but any effects/layers/crossfades become re-compressed. This is bad if image quality is first priority. Interesting how it seems superior to say, "Native DVCPRO HD and HDV editing!!!" But that is not really the best path to take. The 'intermediary' approach is superior. I know, I know; both have their issues. But for maximum image quality, I say the 'intermediary' approach is superior to the 'native' approach.
-qb